Sunday, April 11, 2010
I've been trying to work out a formula for the American Trinity-- have been for a while as part of longstanding project. How's this: all rock and all jazz are informed by the blues, not infrequently in direct proportion to the quality of the rock or jazz under discussion. That lets in, e.g. electric Miles; leaves stuff like Emerson, Lake & Palmer out; and provides a workable start towards the formulation of a metric for quality.
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