Super Lawyers
William C. Altreuter

Sunday, September 20, 2020

 In its obituary for Stanley Crouch last week the NYTimes mentioned his essay in Jazz Times called "Putting the White Man in Charge" in which Crouch argued that white critics promote white musicans in order to "make themselves feel more comfortable about being in the role evaluating an art form from which they feel substantially alienated." I've been thinking about that and I am at a loss to think of a white critic of whom that could fairly be said. Nat Hentoff? Gary Giddins? Ira Gitler? Orrin Keepnews? That jazz is an art form invented by Black musicians is indisputable, as is the fact that it is an expression of the best of American aspiration. Certainly it is true that it has been appropriated and diluted  from time to time, but I'm troubled by Crouch's apparent belief that the form can only be shared and appreciated by only certain people. 

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